{"title":"Back Issues","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"the-paris-review-no-193","title":"The Paris Review No. 193 Summer 2010","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/193\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 193 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003eR. Crumb on the art of comics: “I am a bookmaker. I see blank books, I want to fill them—notebooks, sketchbooks, blank pages.”\u003c\/p\u003e\n \u003cp\u003eDavid Mitchell on the art of fiction: “the universe needs to contrive circumstances to stop me writing.”\u003c\/p\u003e\n \u003cp\u003eNew fiction by \u003cem\u003eGeek Love\u003c\/em\u003e author Katherine Dunn, Colum McCann, Ann Beattie, and more.\u003c\/p\u003e\n \u003cp\u003eMemoir by Wenguang Huang and Victor LaValle, and a dispatch from the North Atlantic by Julia Whitty.\u003c\/p\u003e\n \u003cp\u003ePoems by Jorie Graham, Matthew Zapruder, and Cynthia Zarin.\u003c\/p\u003e\n \u003cp\u003ePlus photographer Jeff Antebi in Haiti; a summer poetry showcase; and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54324972,"sku":"TPRN193","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/193.jpeg?v=1283954744"},{"product_id":"the-paris-review-no-192","title":"The Paris Review No. 192 Spring 2010","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/192\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 192 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with John McPhee:\u003c\/p\u003e\n \u003cp\u003e“There are zillions of ideas out there—they stream by like neutrons.”\u003c\/p\u003e\n \u003cp\u003eRay Bradbury on the art of fiction.\u003c\/p\u003e\n \u003cp\u003eA memoir of a boyhood in a Siberian criminal community.\u003c\/p\u003e\n \u003cp\u003ePoetry from Charles Simic, Linda Pastan, and Deborah Landau.\u003c\/p\u003e\n \u003cp\u003eNew stories by Karl Taro Greenfeld, J. Robert Lennon, and new writer Belle Boggs.\u003c\/p\u003e\n \u003cp\u003ePlus William Dalrymple encounters a warrior monk; photographs by G. M. B. Akash and Adrian Clarke; and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54324982,"sku":"TPRN192","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/192.jpeg?v=1283954748"},{"product_id":"the-paris-review-no-191","title":"The Paris Review No. 191 Winter 2009","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/191\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 191 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eHa Jin on the Art of Fiction.\u003c\/p\u003e\n \u003cp\u003eAn interview with Mary Karr: “In memoir, the only through-line is character represented by voice. So you better make a reader damn curious about who’s talking.”\u003c\/p\u003e\n \u003cp\u003ePoetry from James Schuyler and Robert Hass.\u003c\/p\u003e\n \u003cp\u003eA dispatch from the high plains of eastern Congo by Lieve Joris.\u003c\/p\u003e\n \u003cp\u003eNew stories by Aimee Bender, Patricio Pron, and Carsten René Nielsen.\u003c\/p\u003e\n \u003cp\u003ePlus Benjamin Percy's encounters with the animal world; a folio of photographs by Massimo Vitali; winter poetry by Marianne Boruch, Cathy Park Hong, Dorothea Tanning; and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325002,"sku":"TPRN191","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/191.jpeg?v=1283954751"},{"product_id":"the-paris-review-no-190","title":"The Paris Review No. 190 Fall 2009","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/190\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 190 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eJames Ellroy on his novels: “If you’re confused about something in one of my books, you’ve just got to realize, Ellroy’s a master, and if I’m not following it, it’s my problem.”\u003c\/p\u003e\n \u003cp\u003eFrederick Seidel on the Art of Poetry: “I like to hear the sound of form, and I like to hear the sound of it breaking.”\u003c\/p\u003e\n \u003cp\u003eNew stories by Sam Shepard, Richard Powers, and Mark Slouka.\u003c\/p\u003e\n \u003cp\u003eStreetscapes from fifties New York.\u003c\/p\u003e\n \u003cp\u003eA dispatch from North Korea from Barbara Demick.\u003c\/p\u003e\n \u003cp\u003ePlus poems from Elizabeth Arnold and Timothy Donnelly and newly translated work by Rainer Maria Rilke.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325012,"sku":"TPRN190","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/190.jpeg?v=1283954755"},{"product_id":"the-paris-review-no-189","title":"The Paris Review No. 189 Summer 2009","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/189\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 189 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with Gay Talese: “Nonfiction writers are second-class citizens, the Ellis Island of literature. We just can't quite get in. And yes, it pisses me off.”\u003c\/p\u003e\n \u003cp\u003eA novella by Damon Galgut: “The stranger who has taken up residence in her, somebody dark and reckless that he doesn't trust, is still biding her time.”\u003c\/p\u003e\n \u003cp\u003eLiao Yiwu marks the twentieth anniversary of Tiananmen Square.\u003c\/p\u003e\n \u003cp\u003eTad Friend on love among WASPs.\u003c\/p\u003e\n \u003cp\u003eNew stories by Boualem Sansal and Kenneth Calhoun.\u003c\/p\u003e\n \u003cp\u003ePhotos by Larry Sultan, and poetry from Billy Collins, Craig Arnold, and Dana Levin.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325032,"sku":"TPRN189","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/189.jpeg?v=1283954758"},{"product_id":"the-paris-review-no-188","title":"The Paris Review No. 188 Spring 2009","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/188\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 188 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with Annie Proulx: “The challenge is to make something that could be a novel but that works better as a short story, and to know the difference.”\u003c\/p\u003e\n \u003cp\u003eJohn Banville on his novels: “They’re an embarrassment and a deep source of shame. They’re better than everybody else’s, of course, but not good enough for me.”\u003c\/p\u003e\n \u003cp\u003eNew poems and collages by John Ashbery.\u003c\/p\u003e\n \u003cp\u003eWerner Herzog's journals from the Amazon basin.\u003c\/p\u003e\n \u003cp\u003eNew fiction by Jesse Ball, Philip Gourevitch, Caitlin Horrocks, and James Lasdun.\u003c\/p\u003e\n \u003cp\u003ePhotos by Lena Herzog, and spring poetry from David Wagoner, Ron Slate, and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325052,"sku":"TPRN188","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/188.jpeg?v=1283954762"},{"product_id":"the-paris-review-no-187","title":"The Paris Review No. 187 Winter 2008","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/187\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 187 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with poet laureate Kay Ryan: “I think extravagance in your life takes energy from the possible extravagances of your mind.”\u003c\/p\u003e\n \u003cp\u003eNew fiction by Damon Galgut, Maile Meloy, and Padgett Powell.\u003c\/p\u003e\n \u003cp\u003eVijay Balakrishnan recalls his ancestral home in Tamil Nadu.\u003c\/p\u003e\n \u003cp\u003ePoetry portfolios from David Baker and D. Nurkse.\u003c\/p\u003e\n \u003cp\u003ePlus, five poems by Kay Ryan and photographs from Alaska and Norway by Corey Arnold.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325062,"sku":"TPRN187","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/187.jpeg?v=1283954765"},{"product_id":"the-paris-review-no-186","title":"The Paris Review No. 186 Fall 2008","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/186\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 186 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eMarilynne Robinson on the art of fiction: “I write novels quickly, which is not my reputation.”\u003c\/p\u003e\n \u003cp\u003eColum McCann describes a high-wire act at the World Trade Center: “they wanted the man to save himself, step backwards into the arms of the cops instead of the sky.”\u003c\/p\u003e\n \u003cp\u003eJean Hatzfeld interviews the killers and survivors of the genocide in Rwanda after a presidential amnesty brings them back together.\u003c\/p\u003e\n \u003cp\u003eNew fiction from Jesse Ball and Benjamin Markovits.\u003c\/p\u003e\n \u003cp\u003eFall poetry by Mary Jo Bang, Robert Bly, and more; photographs from Iran by Mohsen Rastani and Abbas Kowsari.\u003c\/p\u003e\n \u003cp\u003ePlus, in honor of our fifty-fifth anniversary, an oral history of the earliest days of \u003cem\u003eThe Paris Review\u003c\/em\u003e by George Plimpton, William Styron, and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325072,"sku":"TPRN186","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/186.jpeg?v=1283954769"},{"product_id":"the-paris-review-no-185","title":"The Paris Review No. 185 Summer 2008","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/185\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 185 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with Umberto Eco: “I suspect that there is no serious scholar who doesn't like to watch television. I'm just the only one who confesses.”\u003c\/p\u003e\n \u003cp\u003eSix new poems by master poet Charles Wright: “I'm winding down. The daylight is winding down. \/ Only the night is wound up tight.”\u003c\/p\u003e\n \u003cp\u003eChinese dissident writer Liao Yiwu visits the epicenter of the Sichuan earthquake.\u003c\/p\u003e\n \u003cp\u003eA dispatch from a New Mexico fire lookout: “A new smoke often looks beautiful: a wisp of white like a feather, a single snag puffing little fingers of smoke in the air.”\u003c\/p\u003e\n \u003cp\u003eNew fiction from Karl Taro Greenfeld, Alistair Morgan, and Glen Pourciau. New poetry from Katy Lederer and Matthew Zapruder.\u003c\/p\u003e\n \u003cp\u003ePlus seventy years of complaint letters sent to the mayor of New York, photographs by Vijay Balakrishnan, and Paula Fox's memories of an unusual friendship.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325082,"sku":"TPRN185","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/185.jpeg?v=1283954774"},{"product_id":"the-paris-review-no-184","title":"The Paris Review No. 184 Spring 2008","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/184\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 184 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eKazuo Ishiguro on the art of fiction: “I write quite mundane prose. I think where I'm good is between drafts.”\u003c\/p\u003e\n \u003cp\u003eIn a recently discovered interview, Leonard Michaels talks about his typewriter: “It was given to me by my first wife. She also once threw it at my head. To help you write, she cried.”\u003c\/p\u003e\n \u003cp\u003eNew fiction from J. David Stevens and Tim Winton, and a debut story from Ryan McIlvain.\u003c\/p\u003e\n \u003cp\u003eSpring poetry featuring Dan Chiasson, Katie Ford, and Tomaž Šalamun.\u003c\/p\u003e\n \u003cp\u003eCollages by Louis Armstrong and photographs by Lena Herzog, plus a memoir from Mark Dow.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325102,"sku":"TPRN184","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/184.jpeg?v=1283954777"},{"product_id":"the-paris-review-no-183","title":"The Paris Review No. 183 Winter 2007","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/183\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 183 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eKenzaburo Oe on winning the Nobel Prize: “One earns a kind of currency that one can use in a much wider realm. But for the author, nothing changes.”\u003c\/p\u003e\n \u003cp\u003eNew fiction: Jesse Ball on early death, György Dragomán on the end of the world, and Graham Joyce on war.\u003c\/p\u003e\n \u003cp\u003eNew poems by Louise Glück, Steven Gizitsky, and Bob Hicok.\u003c\/p\u003e\n \u003cp\u003eLiao Yiwu returns to China's lower depths: “Everyone stood up and began to applaud rhythmically while saying in unison, The communal kitchen is good, we have excellent food. Before their slogan shouting ended, several people collapsed to the floor—they were too weak to stand up for so long.”\u003c\/p\u003e\n \u003cp\u003ePlus photographs by Nicolás Haro and a debut story from Alistair Morgan.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325122,"sku":"TPRN183","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/183.jpeg?v=1283954780"},{"product_id":"the-paris-review-no-182","title":"The Paris Review No. 182 Fall 2007","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/182\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 182 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eDavid Grossman on the art of fiction: “I take literature seriously. You're dealing with explosives.”\u003c\/p\u003e\n \u003cp\u003eAugust Kleinzahler on Robert Frost: “his voice is attractively American: just your average metaphysical New Hampshire dirt farmer, nothin' fancy.”\u003c\/p\u003e\n \u003cp\u003eNew stories from Stephen King, J. Robert Lennon, and Richard Price.\u003c\/p\u003e\n \u003cp\u003eFall poetry featuring August Kleinzahler, David Lehman, Marilyn Chin, and Edward Nobles.\u003c\/p\u003e\n \u003cp\u003ePlus Pablo Escobar's life in photographs, doodles from the notebooks of James Merrill, and debut fiction from Danielle Evans.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325142,"sku":"TPRN182","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/182.jpeg?v=1283954784"},{"product_id":"the-paris-review-no-181","title":"The Paris Review No. 181 Summer 2007","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/181\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 181 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eNorman Mailer on the art of fiction: “To my mind, it's not worth writing a novel unless you're tackling something where your chances of success are open. You can fail.”\u003c\/p\u003e\n \u003cp\u003eFiction from André Aciman: “American women are like beautiful manor houses with lavish artwork and spacious rooms. But the lights are always out.”\u003c\/p\u003e\n \u003cp\u003eNew translations of Baudelaire: “I am like the king of a rainy kingdom . . . Nothing makes me gladder, gentler, more prone to falconry \/ than my dying people.”\u003c\/p\u003e\n \u003cp\u003ePlus a story by Uzodinma Iweala, a newly discovered poem by William Carlos Williams, photographs by Raymond Depardon, and more.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325162,"sku":"TPRN181","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/181.jpeg?v=1283954788"},{"product_id":"the-paris-review-no-180","title":"The Paris Review No. 180 Spring 2007","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/180\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 180 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003eHarry Mathews on “the idiotic thing that aspiring young writers are usually told: write about yourself. Don't imitate literary models. Of course, imitating literary models is the best thing one can do.”\u003c\/p\u003e\n \u003cp\u003eJorge Semprún on the art of fiction: “when I got back from Buchenwald in 1945, I did want to write. I longed for it, to be honest, but strangely enough I found it impossible.”\u003c\/p\u003e\n \u003cp\u003eRyszard KapuÅ›ciÅ„ski travels through Africa: “In the afternoon the shadows lengthen, start to overlap, then darken and finally turn to black. . . . People come alive then . . . they greet one another, converse, clearly happy that they have somehow managed to endure the quotidian cataclysm.”\u003c\/p\u003e\n \u003cp\u003ePlus a new story by Benjamin Percy, debut fiction by Karl Taro Greenfeld, and the spring poetry folio.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325192,"sku":"TPRN180","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/180.jpeg?v=1283954791"},{"product_id":"the-paris-review-no-179","title":"The Paris Review No. 179 Winter 2006","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/179\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 179 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003eJavier MarÌas on the art of fiction: “Trying to be original is very dangerous. If you say, I'm going to turn literature upside down, most often the result is ludicrous.”\u003c\/p\u003e\n \u003cp\u003eNew stories by T. C. Boyle and Gish Jen.\u003c\/p\u003e\n \u003cp\u003eMore from Liao Yiwu's encounters in China: “While the corpse waited at the entrance, the guide walked into the lobby, tapped the counter, and said in a low voice, The god of happiness is here.”\u003c\/p\u003e\n \u003cp\u003eNewly discovered work from Joseph Heller: “Abraham was my father. I was his son and his only heir. Without me, where would he be? Where would those promises be that he said he had gotten from his god? Then Isaac came.”\u003c\/p\u003e\n \u003cp\u003ePeter Matthiessen remembers William Styron.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325212,"sku":"TPRN179","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/179.jpeg?v=1283954794"},{"product_id":"the-paris-review-no-178","title":"The Paris Review No. 178 Fall 2006","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/178\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 178 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eStephen King on the art of fiction: “They did type me as a horror writer, but I have been able to do all sorts of things within that framework.”\u003c\/p\u003e\n \u003cp\u003eFall poetry folio featuring Billy Collins, Mary Karr, John Drury, and more.\u003c\/p\u003e\n \u003cp\u003eNew fiction by Mohsin Hamid: “I was the product of an American university; I was earning a lucrative American salary; I was infatuated with an American woman. So why did part of me desire to see America harmed?”\u003c\/p\u003e\n \u003cp\u003eAn encounter with the woman who was JT LeRoy.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325222,"sku":"TPRN178","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/178.jpeg?v=1283954798"},{"product_id":"the-paris-review-no-177","title":"The Paris Review No. 177 Summer 2006","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/177\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 177 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003ePeter Carey on the “dangers and pleasures” of writing novels.\u003c\/p\u003e\n \u003cp\u003eJames Tate on the art of poetry: “The thing that was magic about it was that once you put down one word, you could cross it out. . . . I put down \u003cem\u003emountain\u003c\/em\u003e, then I'd go, no—\u003cem\u003evalley\u003c\/em\u003e. That's better.”\u003c\/p\u003e\n \u003cp\u003eAn encounter with a Serbian terrorist.\u003c\/p\u003e\n \u003cp\u003eSketches and watercolors by Woody Guthrie.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325232,"sku":"TPRN177","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/177.jpeg?v=1283954801"},{"product_id":"the-paris-review-no-176","title":"The Paris Review No. 176 Spring 2006","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/177\" data-mce-href=\"https:\/\/www.theparisreview.org\/back-issues\/177\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 176 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eJoan Didion on the art of nonfiction: “I was never a big fan of people who don't leave home. I don't know why. It just seems part of your duty in life.”\u003c\/p\u003e\n \u003cp\u003eNew poems by John Ashbery.\u003c\/p\u003e\n \u003cp\u003eNew fiction by Alessandro Baricco and Saïd Sayrafiezadeh.\u003c\/p\u003e\n \u003cp\u003eDrawings by Yoshihiro Tatsumi.\u003c\/p\u003e\n \u003cp\u003eThe journals of Tennessee Williams.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325242,"sku":"TPRN176","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/176.jpeg?v=1283954805"},{"product_id":"the-paris-review-no-175","title":"The Paris Review No. 175 Fall\/Winter 2005","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/175\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 175 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eThe Writers at Work interview with Orhan Pamuk: “My mind is like that of a little playful child, trying to show his daddy how clever he is.”\u003c\/p\u003e\n \u003cp\u003eKarl Taro Greenfeld explores the birthplace of SARS: “Southern Chinese have always eaten their way through the far reaches of the animal kingdom more adventurously than others . . . the sheer variety and volume of creatures they consumed came to include virtually any obtainable species of land, sea, or air.”\u003c\/p\u003e\n \u003cp\u003eNew war fiction by Benjamin Percy: “Throughout my childhood I could hear, if I cupped a hand to my ear, the lowing of bulls, the bleating of sheep, and the report of assault rifles shouting from the hilltops.”\u003c\/p\u003e\n \u003cp\u003ePoetry by Mary Jo Bang, plus selections from a portfolio by Writers at Work interviewee Jack Gilbert.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325252,"sku":"TPRN175","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/175.jpeg?v=1283954808"},{"product_id":"the-paris-review-no-174","title":"The Paris Review No. 174 Summer 2005","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/174\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 174 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eFrom the interview with Salman Rushdie: “My life has given me this other subject: worlds in collision. How do you make people see that everyoneís story is now a part of everyone elseís story?”\u003c\/p\u003e\n \u003cp\u003eDebut fiction by Lisa Halliday: “Luigiís infinite repertoire had transformed him into a boy Orpheus. No minefield of consonants to worry about: he didnít have to speak. Even his appearance had begun to change.”\u003c\/p\u003e\n \u003cp\u003eFrom China's Lowest Depths—Liao Yiwu speaks with a public toilet manager:“I have never seen a royal-family member taking a shit. If they did, they wouldnít come to do it in this public toilet.”\u003c\/p\u003e\n \u003cp\u003eNew poetry by Jesse Ball and Dan Chiasson.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325262,"sku":"TPRN174","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/174.jpeg?v=1283954814"},{"product_id":"the-paris-review-no-173","title":"The Paris Review No. 173 Spring 2005","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/173\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 173 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eFrom Chicago to Chisinau—Aleksandar Hemon on the trail of an anarchist: “How did his hope so quickly turn to disappointment? How did the Land of the Free kill him, at the age of nineteen, months after he had arrived? This is what I wanted to write about.” \u003cbr\u003e \u003cbr\u003e “Psychic castration”—Les Murray looks back on his school years: “When American students asked me many years later what I thought about the Columbine massacre, I horrified them by saying, \"We're shooting back now!\" \u003cbr\u003e \u003cbr\u003e Short fiction by A. S. Byatt and Jack Livings: “The children made chase, but the dog was too fast for them, cutting a jagged path through several of the older girls and boys who tried to intercept it at the corner. Zheng waited with Chen Wei, still gripping his butcher knife with two hands.”\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325282,"sku":"TPRN173","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/173.jpeg?v=1283954817"},{"product_id":"the-paris-review-no-172","title":"The Paris Review No. 172 Winter 2004","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/173\" data-mce-href=\"https:\/\/www.theparisreview.org\/back-issues\/173\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 172 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003eBarry Hannah on self-hating Southerners, .45 caliber teaching tools, and overcoming alcoholism: “I was often taught that everything is worth it for art. Everything. It was a cult.” \u003cbr\u003e\u003cbr\u003eDisaster Remembered: “They stood in the black dust, talking, breathing, wondering at it. People came from all around in their cars and on their bikes to have a look. We didn't know that death could be so beautiful.” \u003cbr\u003e\u003cbr\u003eStrange new fiction from Haruki Murakami: “Okawa gobbled down the sardine, stripping it from head to tail, then cleaned his face. ‘That hit the spot. Much obliged. I'd be happy to lick you somewhere, if you'd like . . .’”\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325292,"sku":"TPRN172","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/172.jpeg?v=1283954820"},{"product_id":"the-paris-review-no-171","title":"The Paris Review No. 171 Fall 2004","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/171\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 171 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003e“All I need is a window not to write.” Creating from the basement: Tobias Wolff on the Art on the Fiction.\u003c\/p\u003e\n \u003cp\u003e“Edison Steelhead was born on the kitchen floor. . . .”: Comics by Renée French.\u003c\/p\u003e\n \u003cp\u003eStories by Annie Proulx and John Edgar Wideman.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325302,"sku":"TPRN171","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/171.jpeg?v=1283954822"},{"product_id":"the-paris-review-no-170","title":"The Paris Review No. 170 Summer 2004","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/170\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 170 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn Art of Fiction interview with Haruki Murakami. “Even now, my ideal for writing fiction is to put Dostoevsky and Chandler together in one book.”\u003c\/p\u003e\n \u003cp\u003ePaula Fox on art and chaos: ”I think it’s not helpful to overpsychologize. It substitutes for the chaos that most of us live in.”\u003c\/p\u003e\n \u003cp\u003eStories by Nathaniel Bellows, Melvin Jules Bukiet, and Mary-Beth Hughes. Poems by Sandra McPherson and W. S. Merwin.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325312,"sku":"TPRN170","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/170.jpeg?v=1283954830"},{"product_id":"the-paris-review-no-169","title":"The Paris Review No. 169 Spring 2004","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/169\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 169 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn Art of Poetry interview with Paul Muldoon: “Humility is a requisite and I fear Yeats was not strong in the humility department.”\u003c\/p\u003e\n \u003cp\u003eAn oral biography of Dylan Thomas: “That boy was always there, the one who shocked the girls in the Mumbles by whistling at them and saying, ‘That’s a pretty pair of knockers.’”\u003c\/p\u003e\n \u003cp\u003eStories by Melvin Jules Bukiet and Melanie Rae Thon. Poems by Peter Nickowitz, Linda Pastan, and Karen Volkman.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325322,"sku":"TPRN169","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/169.jpeg?v=1283954836"},{"product_id":"the-paris-review-no-168","title":"The Paris Review No. 168 Winter 2003","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/168\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 168 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eMichael Frayn on flops: “I realized that by their very nature flops don’t last for very long, and by their very nature successes do. So as time goes by it’s the successes that people tend to remember.”\u003c\/p\u003e\n \u003cp\u003eAndrea Barrett explains how new stories begin: “My early drafts are staggeringly bad. I’m not being falsely modest here, it’s just the way I work, and I’ve had to accept this about myself.”\u003c\/p\u003e\n \u003cp\u003eStories by Andrea Barrett and Rick Bass. A play by William Kennedy. Poems by Isobel Dixon and William Olsen.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325332,"sku":"TPRN168","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/168.jpeg?v=1283954840"},{"product_id":"the-paris-review-no-167","title":"The Paris Review No. 167 Fall 2003","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/167\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 167 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003e50th Anniversary\u003c\/p\u003e\n \u003cp\u003eJim Crace weighs the merits—and demerits—of research: “Facts don’t help. If you’re not a persuasive talker at a party, no one’s going to believe you, even if everything you say is true . . .”\u003c\/p\u003e\n \u003cp\u003ePORTFOLIO: From the files of Gerard Malanga. After working with Warhol in 1969, Malanga began carrying his Nikon wherever he went . . .\u003c\/p\u003e\n \u003cp\u003eA story by Yiyun Li, the 2004 Plimpton Prize winner. Poems by Tom Disch, Joyce Carol Oates, and Brenda Shaughnessy.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325342,"sku":"TPRN167","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/167.jpeg?v=1283954844"},{"product_id":"the-paris-review-no-166","title":"The Paris Review No. 166 Summer 2003","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/166\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 166 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eJonathan Lethem describes his writing process: “I’m a tortoise, waking each day to plod out my page or two.”\u003c\/p\u003e\n \u003cp\u003eAn oral history of Gabriel García Márquez.\u003c\/p\u003e\n \u003cp\u003eA novella by Michael Chabon, the 2004 Aga Khan Prize winner. Stories by Peter Orner and James Salter. Poems by Norma Jenckes and Natasha Saje.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325352,"sku":"TPRN166","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/166.jpeg?v=1283954850"},{"product_id":"the-paris-review-no-165","title":"The Paris Review No. 165 Spring 2003","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/165\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 165 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn interview with Jorie Graham on the Art of Poetry.\u003c\/p\u003e\n \u003cp\u003e“Quite the most enchanting maniac I’ve met”: A visit with Patrick Leigh Fermor.\u003c\/p\u003e\n \u003cp\u003eWilliam T. Vollmann on the Siege of Stalingrad.\u003c\/p\u003e\n \u003cp\u003eStories by John Griesemer, Miranda July, and Josip Novakovich. Poems by A. R. Ammons, Billy Collins, Dana Goodyear, and Bruce Smith.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325362,"sku":"TPRN165","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/165.jpeg?v=1283954852"},{"product_id":"the-paris-review-no-164","title":"The Paris Review No. 164 Winter 2002-2003","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/164\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 164 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eAn Art of Fiction interview with Richard Powers.\u003c\/p\u003e\n \u003cp\u003e“Murder at the Beau Rivage” by Michael Cunningham, Dave Eggers, Jonathan Franzen, James Lasdun, Nani Power, Joanna Scott, Julia Slavin, and Manil Suri: Eight distinguished writers collaborate on a serial crime story. Can you guess which writer wrote which section?\u003c\/p\u003e\n \u003cp\u003eAmerica in 1959: Italo Calvino’s Diaries.\u003c\/p\u003e\n \u003cp\u003eStories by Brian Evenson, Nell Freudenberger, and Shelley Jackson. Poems by Mohja Kahf, Kenneth Koch, and Kate Light.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325372,"sku":"TPRN164","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/164.jpeg?v=1283954855"},{"product_id":"the-paris-review-no-163","title":"The Paris Review No. 163 Fall 2002","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/163\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 163 at theparisreview.org. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003ePhilosophy, academia, Diogenes, collage, utopia, Mike Leigh, and the world “full of rhymes”: An interview with Guy Davenport.\u003c\/p\u003e\n \u003cp\u003e“Yr letters are life preservers”: The correspondence of Ernest Hemingway and Ezra Pound.\u003c\/p\u003e\n \u003cp\u003eStories by Benjamin Anastas, John Haskell, and Nani Power. 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Stories by Aleksandar Hemon, Denis Johnson, and Mary Robinson. 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Merwin on Sir Thomas Wyatt.\u003c\/p\u003e\n \u003cp\u003eStories by Quentin Rowan, Jim Shepard, Wells Tower, and, from Russia, V. P’yetsukh. 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Stories by Louis de Bernières, A. L. Kennedy, and Joy Williams. Poems by Anthony Hecht and Sue Kwock Kim.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325582,"sku":"TPRN148","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/148.jpeg?v=1283954927"},{"product_id":"the-paris-review-no-147","title":"The Paris Review No. 147 Summer 1998","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/147\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 147 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003eRussell Banks discusses Kerouac, Hollywood, and the Art of Fiction.\u003c\/p\u003e\n \u003cp\u003eAn Oulipo Sampler.\u003c\/p\u003e\n \u003cp\u003eStories by Scott Anderson, Rick Bass, and Michael Knight. Poems by Henri Cole, Czeslaw Milosz, and Patty Seyburn.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325602,"sku":"TPRN147","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/147.jpeg?v=1283954930"},{"product_id":"the-paris-review-no-146","title":"The Paris Review No. 146 Spring 1998","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/146\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 146 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp class=\"p1\"\u003e \u003c\/p\u003e\n \u003cp\u003e“Your immediate contemporaries are just blind worms in a ditch, slithering pointlessly around, getting nowhere”: An interview with Martin Amis.\u003c\/p\u003e\n \u003cp\u003eAn essay by Alain de Botton. Stories by A. S. Byatt, Giles Foden, and Will Self. Poems by Simon Armitage, Lavinia Greenlaw, and Robin Robertson.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325622,"sku":"TPRN146","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/146.jpeg?v=1283954933"},{"product_id":"the-paris-review-no-145","title":"The Paris Review No. 145 Winter 1997","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/145\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 145 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003e“I am interested in the tension between the built environment and the natural environment, and how at the moment our dreams of bliss are a kind of invented Arcadia”: An interview with Jeanette Winterson.\u003c\/p\u003e\n \u003cp\u003eThe Art of Publishing: Barney Rosset recalls the founding of Grove Press.\u003c\/p\u003e\n \u003cp\u003eStories by Sheila Kohler, Steven Millhauser, and Mark Richard. Poems by Beth Gylys, Linda Pastan, and Edward Hirsch.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325632,"sku":"TPRN145","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/145.jpeg?v=1283954936"},{"product_id":"the-paris-review-no-144","title":"The Paris Review No. 144 Fall 1997","description":"\u003cp class=\"p1\"\u003e\u003ca href=\"https:\/\/www.theparisreview.org\/back-issues\/144\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePreview issue no. 144 at theparisreview.org.\u003c\/strong\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n \u003cp\u003e \u003c\/p\u003e\n \u003cp\u003eNobel Laureate Seamus Heaney and United States Poet Laureate Robert Pinsky on the Art of Poetry.\u003c\/p\u003e\n \u003cp\u003eElias Canetti’s “Notes from Hampstead.”\u003c\/p\u003e\n \u003cp\u003eStories by Rick Moody and David Foster Wallace. Poems by Yusef Komunyakaa, Wislawa Szymborska, and John Updike.\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":54325642,"sku":"TPRN144","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0053\/4582\/products\/144.jpeg?v=1283954940"}],"url":"https:\/\/store.theparisreview.org\/collections\/back-issues\/1967.oembed","provider":"The Paris Review","version":"1.0","type":"link"}